WANDERING THROUGH THE BLUES
Neil Diamond isn’t the only New York-bred veteran rocker who’s put the acoustic guitar at the forefront of his latest album. So has Dion, who performed [click here to continue]
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STORYTIME: DAN ZANES
One musician was on the rise, the other at the peak of his popularity. And one night in the mid-1980s, their worlds collided, as Dan Zanes, leader of the [click here to continue]
CONVERSATIONS WITH TOM PETTY
In his music, Tom Petty can be vague or specific in his lyrics, and he also can tell a good story. Petty can be just as general, detailed and engaging when [click here to continue]
TOP ALBUMS OF 2005
It’s time to recap the best discs of the year, and here are the picks from Medleyville staffers. Joe Belock’s Top 10 1. Outrageous Cherry, Our Love [click here to continue]
GUILTY PLEASURES OF 2005
They’re the songs that, despite one’s best efforts, enter the brain and take up unoccupied space for a long time. Chris M. Junior reveals the five [click here to continue]
GUIDED BY VOICES — THE ELECTRIFYING CONCLUSION
Much like the band’s career itself, the final Guided By Voices performance was an exercise in excess and stamina. As captured on the concert DVD The [click here to continue]
THE MENDOZA LINE — FULL OF LIGHT AND FULL OF FIRE
It has been a long journey for The Mendoza Line, in terms of both geography and output. The acclaimed indie-rock collective, which formed in Athens, Ga., then [click here to continue]
REMEMBERING CHRIS WHITLEY
Like an old-time blues troubadour, Chris Whitley was quite adept at doing his thing with just his voice, a National acoustic guitar and a stomp from his boot. [click here to continue]
SANTANA — ALL THAT I AM
In the case of Carlos Santana, apparently you can’t teach an old guitarist new tricks. The bandleader tries yet again to repeat his comeback success of [click here to continue]
SHAKIN’ STREET No. 6
The big corporate record companies aren’t the only ones scaling back these days. A growing number of indie rock ’n’ rollers are streamlining their acts [click here to continue]
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